Some months ago, I received a custom order for a pet memorial of this lovely, lovely fellow:
It was an honor to make such a meaningful piece. I needle felted wool over a pipe cleaner armature, used small glass eyes, and made the whiskers from fishing line glued in place with superglue.
If you would like to see some of the process that went into making this needle felted oddling, wander over to my Patreon page where I show many, many photos of the different stages and changes I made as I worked:
I’m putting together a Patreon page where you can support me making oddlings — and get some cool exclusive stuff while you’re at it!
Familiar Oddlings will launch on Patreon on February 20th
But what is Patreon, you ask?
Patreon is a membership platform that provides business tools for creators to run a subscription content service, with ways for artists to build relationships and provide exclusive experiences to their subscribers, or “patrons.”
What will Familiar Oddlings on Patreon be like?
When you become a patron for Familiar Oddlings, you get a chance to win a custom felted snonkey!
Everyone who signs up as a patron will be entered into a snonkey giveaway. When we reach 50 patrons, I will randomly draw the name of the winner, who will get to choose what kind of snonkey they want.
And that’s just the beginning! There will be all sorts of other cool things, like exclusive photos and videos of my work in progress, prints, and even a discount in my etsy shop. You’ll also get to participate in polls to help me figure out what type of oddling to make next.
Why am I doing Patreon?
There are so many projects that I wish to pursue, so many new oddlings I want to felt, and even a book I’m working on illustrating in crayons. With your support and feedback, I could bring these projects to fruition. Having you all at my back will give me the courage to step beyond my comfort zone, learn new skills, and ultimately bring more oddlings into the world!
To be honest, I am both terrified and thrilled about this new step for Familiar Oddlings. I feel like I’m taking my first wobbly steps as newborn giraffe. All gangly and awkward and eager to get moving.
Thank you to everyone for being part of this exciting journey with me!
Remember, February 20th is Familiar Oddlings Patreon launch day!
The spotted snonkey, a needle felted oddling made from wool over pipe cleaners with a painted escargot shell, is a mature yet playful companion. The delicate brown spots and freckles indicate an age of confidence, like a perfectly ripening banana.
Needle felting is hard on your hands. The repetitive motion of stabbing the needle into the wool is not only a hazard for your fingertips — those needles are sharp! — but it can be a strain on your wrists and finger joints, especially if you are working on a project for any extended period of time. Sitting for hour after hour stabbing at a clump of wool can lead to aches going up into your arms and your back as well.
Here I’ll share with you a few of the things I do to try to help prevent these aches, or in the cases where it seems inevitable, at least recover from them. If you have more ideas, please share them in the comments.
Let’s do whatever we can to make needle felting a more fun and less painful experience.
THIMBLES. I recommend always using thimbles to guard against stray pokes. As noted above, these needles are sharp. I have drawn blood more times than I care to count, even while wearing thimbles. Without them, my fingers would be riddled with scars. Even if I’m just going to do a few “touch up” pokes, I put my thimbles on. It’s the best policy.
I like to use leather thimbles so that I can manipulate the wool with relative ease and feel where exactly the needle is while still being well protected. You can find these thimbles in the quilting section of most craft stores and there are many online sources for them as well.
WORK SURFACE. Using a pad of some kind as a work surface. This is something that I moved away from and then returned to throughout my needle felting life. I have learned the deeper wisdom of it over the years. Not only does the pad provide protection against the sharp needle stabbing into your leg or any other appendage, it lets your supporting hand, the one not doing the stabbing, rest. I felt a lot of long and thin shapes, like snonkey eyestalks and tapir stripes, and I often hold the strip of wool in between my thumb and finger while I stab at it. So exhausting! My left hand quickly cramps up. I’ve found it is so much easier on the hand to let the wool rest on the work surface and hold it minimally in place.
There are different types of work surfaces to use with needle felting. When I first began felting, I used a piece of foam. I didn’t like it because it crumbled after being poked so many times. It also made loud noises whenever the needle went into the foam, so pretty much … Every. Single. Second. I was working on my project. Maddening. Then for a while I used a pillow, which got wrecked in short order. Now, after years of not using any work surface at all, I use a Woolbuddy, which is actually itself made of densely felted wool. I highly recommend it.
STRETCHES. Taking the time in the morning to do a few stretches and exercises to specifically strengthen your hands and fingers can really help. Every day before beginning my felting session I spend about a minute opening and closing my hands in fits in rapid succession. After the minute is up, I roll my wrists in circles and shake my hands out till they feel comfortable again. This has really helped stave off aches in my hands and wrists.
When I’ve overdone it and my hands and shoulders are aching, yoga in general has been very healing for me. Try a few different things and find what works best for you.
TAKING BREAKS. This is an important one to keep in mind when you’re in the middle of a project and want to get “just one more” piece of it done. If you’ve been at it for more than an hour, take a little break and rest your hand. Get up and get a glass of water, pet the cat, or simply daydream for a moment. It will really help give your hands that little bit of recovery that enables you to get that much more done when you can come back to it fresh.
Those are the major things I can recommend to help you with this fantastic hobby. I’d love to learn more methods so let me know any good tips and tricks you’ve figured out in the comments.
I’ve been working really hard on the needle felted Anthopleura sola, the Starburst anemone, but making all those tentacles is taking a long time. So I thought I’d give you guys a peek into the process by…
… making my first needle felting video! View it at the link:
Below are some stills from the video with a bit more information.
The start of the tentacle is a core of plain undyed roving, which is then covered and expanded upon with the blended roving. After rolling the wool into roughly the shape of a tentacle, I poke it repeatedly. The barbed needle does the felting by grabbing the strands and tangling them around each other with every poke. Slowly the tentacle starts to form and hold its shape.
Thank you for watching my process! This is a long and intense project and I’m glad to have you all along with me.
Today’s post is a sneak peek of my latest needle felting project: Anthopleura sola, the Starburst anemone.
These are one of the most gorgeous sights you’ll see as you walk along the tide pools of the California coast, with their jewel-like tentacles dancing in the currents. You can spot this particular species by the stripes radiating out from the center in a luminous “burst.” Here is a photo I took on one of my excursions to the tide pools:
And more photos of these magnificent life forms:
Sunburst Anemone, Anthopleura sola, Fitzgerald Marine Reserve, San Mateo County, California
I want the felted Anthopleura sola to be life-sized with a diameter of about 150 cm. I’m pushing myself to work larger which allows me to get in more details.
I loved poking these creatures when I was a kid and watching their tentacles retract, and then poking them again and seeing the water gush out. It was so exciting! I doubt they enjoyed it very much, however, and I no longer practice this harassment. But I still adore watching these beauties in their shallow pools.
I have a fascination with the often bizarre artwork found in Medieval manuscripts. Sometimes the creatures depicted are extremely ugly, other times there’s great charm to their awkwardly proportioned features and perplexing color choices. Look at the giant bird feet on this blue and gold one below. There’s an appealing flare and commitment to the style on that one that just thrills me. And look at the expression on the one in the top right corner. It could easily be the face of some hilarious meme. I love the patterns you can find worked into the griffin feathers on some of the drawings.
Examples of griffin art from Medieval manuscripts
It was with these key elements in mind that I undertook the task to recreate a Medieval manuscript drawing in the 3D medium of needle felted wool: strange color combinations, overt feather patterns, not-quite-right proportions, and an emphatically cranky expression. Capturing the expression was probably the most difficult part, but I think next time I shall endeavor to start with a larger piece. Working on such fine detail at that small a scale (this griffin is only about three inches tall!) was brutal. I think he turned out wonderfully cantankerous, however, and Valkyrie, the proud owner of this gift, was happy to receive him.
Manuscript Griffin, needle felted wool over pipe cleaner.
My aunt has an adorable Cavalier King Charles spaniel named Bentley. Last time I visited her house, I was struck by his silky charm and started needle felting a portrait of him, but somehow the project got interrupted and the piece languished in my bedroom for over two years.
Now, here he is completed! And just in time for my aunt’s birthday as a gift from my mother.
He is made from needle felted wool over pipe cleaner. His eyes are plastic. He is only about 4 inches long and 3 inches tall.
My aunt called my mother after she received him in the mail to tell us she loves her miniature Bentley.
My good friend, Valkyrie Johnson, is so multitalented it’s easy to mistake her for a mythological being. She is an artist who draws, paints, sculpts, sews, felts, welds, writes, carves, sings, arranges flowers, crafts jewellery, designs clothing, edits video, and practically anything else creative you can imagine. And not only does her repertoire have breadth, it has quality. She is astonishingly good at many, many, many things.
Just look at these few pieces by her!
Top: New Friends. From left to right: Wooden Pendant, Lovers Egg, and Stage Fright All by Valkyrie Johnson
When I think of all the amazing things she can do, I am filled with an awe and admiration that I feel towards magical creatures. Watching her accomplish all that she has is like watching a griffin fly overhead, beautiful and inspiring and kind of terrifying.
Every year for her birthday I like to make griffin themed artwork for her. This is one I made for her back in 2011.
And another I made way back in 2009.
This year I have begun a needle felted griffin in a style I’ve never attempted before with my felting. I am recreating a Medieval manuscript illustration in three dimensions with wool. This project will take some time, but here are a few in progress photos.
Check back again soon to see the final piece! And hear Valkyrie’s reaction to my gift.